A project is under way, led by Sylvia Holton and William S. Peterson to reconstruct the personal library of William Morris. The books that once belonged to Morris were largely dispersed through various sales after Morris’ death, including some acquired by what are today still the two largest holdings at the Wellcome Library in London and the Morgan Library in New York. The catalogue — a work in progress – and further details about the project can be consulted online at this location.
Stephen Gregg, who delivered a paper at Writers and their Libraries on “Virtual Conversation in the Library of Bishop Richard Hurd”, has blogged about his work on the Hurst library at digitalhumanistbeginner.
Delegates who are coming to London for the Writers and their Libraries conference may be interested in a free talk on the life and library of the actor, author and producer Malcolm Morley (1890-1966) by Professor Michael Slater (Birkbeck College) and Jonathan Harrison (Senate House Library). Morley’s library and archive, which were donated to the University of London by his family, sheds light among others on his work on the Ternan family and stage adaptations of Dickens’s work. The talk will feature a small display of items from the collection.
The talk will take place on 13 March, from 6 to 7pm, in the Seng T. Lee Centre in the Senate House Library. All are welcome, but booking a space is necessary. Please contact shl.officeamdin[at]london.ac.uk.
Here is a blog post that is worthwhile reading by Claudine Moulin on Fascinating Margins. Towards a Cultural History of Annotation over at annot@tio. She points out that “annotations and other reading traces play a special role from the point of view of cultural and linguistic history, yet, up to now, they have not been analyzed in a greater context regarding their functional means as well as their textual and material tradition”. To remedy this, she is writing a book that “aims to study the cultural and historic dimension of annotating texts taking into account wide ranging interdisciplinary aspects”. She plans to draw up a typology “of the wide variety of annotations which are in evidence since the Early Middle Ages” and to trace the changes and transformations that have taken place since then an up to “the modern digital age”. She will not stop at the European tradition, however, but also draw on annotation practices in other cultures from the Arabic and Asian world. This is a book we certainly all look forward to.
Guest post by Richard Oram
Although my own institution, the Harry Ransom Center, has one of the largest collections of Anglo-American authors’ libraries (arbitrarily defined as 50 or more books belonging to a given writer), several years ago, I found that we didn’t have a listing of them (a problem that has since been rectified.)
It soon became apparent that curatorial staff in other large research libraries more often than not didn’t know how many such libraries they owned. As a result, Joseph Nicholson, a cataloger at Louisiana State University, and I sent out a survey to special collections in the U.S., U.K., and Canada. We also began searching likely library catalogs and web sites, discovering in the process that there are many inconsistencies, to put it mildly, in provenance cataloging.
Despite various obstacles, we have assembled a listing of information about more than 500 libraries (primarily English and American authors), to be published next year by Scarecrow Press. But there are so many gaps in the data! This is why I will be furiously taking notes at the Writers and their Libraries conference. Our survey response rate from the U.K. was quite low, so we would be particularly grateful for additional information from British institutions; please contact me (roram[at]austin.utexas.edu) if you think you might be able to contribute to the project.
Guest post by Karen Attar.
As soon as the “Writers and their Libraries” conference was announced, Senate House Library knew that it would like to support it with a display. Then our treasures volume was published, and it was clear that our major exhibition for the period from January to mid-July 2013 would need to support the treasures book. Luckily it was possible to do both at once: to feature items from the treasures book that were part of writers’ libraries, supplementing them with other books that showed the people featured both as writers and the owners of libraries.
The section on “Writers and their Libraries” features five writers: Thomas Carlyle, Augustus De Morgan, George Grote, Walter de la Mare, and Harry Price. Thomas Carlyle stands out because his books – and the books he annotated, which were not all his – are to be found in various places. The exhibition pièce de resistance is a borrowed copy of Elizabeth Barrett Browning’s Aurora Leigh, which Carlyle annotated acerbically throughout. The other four writers are all men with substantial collections now held at Senate House Library. Carlyle and Grote having been historians, De Morgan a mathematician, and Harry Price a psychical researcher, Walter de la Mare is the only literary writer among the group. The edition of Peacock Pie displayed shows his alterations for a new edition; more generally, the books by others owned and annotated by him say more about his library. Grote is represented by his most famous authored book and one of the visually more striking books he owned – albeit not annotated by him, as Grote generally made his copious comments about his reading in separate notebooks (some transcribed in his wife’s biography and recorded in the Reading Experience Database). He and De Morgan created Senate House Library’s founding collections. Unlike Grote, De Morgan – considered by some to be the greatest mathematician of his time – did annotate his books, often quirkily, and was renowned for doing so. His habit emerges clearly in the three displayed, one of which inspired his own textbook on arithmetic. Harry Price publicised his library more than most, by publishing specifically about it. My favourite of the four books shown here is Angelo Gambiglioni’s treatise on criminal law Tractatus de Maleficiis (1508), included in Harry Price’s exhibition catalogue of 1934 (also shown). Price misdated the book to “ca 1490”, I think wilfully in order to class it as an incunable.
All conference delegates are warmly invited to visit the display on “Writers and their Libraries”, a sub-set of our treasures volume, on the fourth floor of Senate House, during standard library opening hours, and also the smaller display in the Jessel Room annex on the first floor of Senate House.